Jan 232006
 
Conan

My friend Jeff Mariotte just posted an excellent appreciation of Robert E. Howard and Conan for Howard’s 100th birthday. Jeff worked at WildStorm Productions when I co-designed the WildStorms CCG there, and he edited my Dracula’s Revenge comic for IDW.

This past year, the tables turned, and I edited his new Age of Conan trilogy, the Marauders. Look for the first, Ghost of the Wall, at the end of the month. Jeff did great work on the series, and his love for all things Conan shines through. if you’d like to know where it comes from, be sure to check out that appreciation for details.

Jan 222006
 
Conan

Today (or, arguably, Tuesday) would have been the 100th birthday of Robert E. Howard. As the creator of Conan, King Kull, and Solomon Kane, he invented the sword-and-sorcery fantasy and wrote in more than a half-dozen other genres for pulp magazines of all types. He cut his own life short at the age of 30. We can only guess what other works of genius he would have wrought had he held on with us a little longer.

I’m honored to be able to work on the Age of Conan novels for Ace Books. Recently Del Rey released The Conquering Sword of Conan, the third and final volume collecting Howard’s Conan work. This completes the Howard canon that we go by when working on the new novels. Be sure to check it out, and raise a glass toward Cross Plains, Texas, when you can.

Jan 202006
 

The title for the new official Peter Pan book coming out this year is Peter Pan in Scarlet. As I’ve mentioned before, the rights to Peter Pan are a bit of a mess. According to the Great Ormond Street Hospital, they own the rights to Peter Pan forever in the UK, until 2007 in Europe, and until 2023 in the US.

But Dave Barry and Ridley Pearson seem to have ignored that for their book—although I’d be surprised if their decision hadn’t been vetted by a team of lawyers. The hospital doesn’t get any royalties from them, but because it has an arrangement on Peter Pan films with Disney (which published the Barry & Pearson books through their Hyperion arm) if any movies of the Barry & Pearson books are made the hospital would benefit from that. (The Wikipedia entry on Peter Pan has more details.) In any case, Barry & Pearson have offered to play a benefit concert for the hospital with their band, the Rock Bottom Remainders.

I saw the RBR in concert at an American Booksellers Expo in Miami back in 1993. I went with the Wieck brothers from White Wolf and Tara Gallagher and Jill Lucas from FASA. (I worked the show for ICE.) I didn’t have a ticket, but I scalped one from a woman in line. When we got inside, no one seemed to understand the set-up, which included tables around a wide-open and completely empty dance floor. With no one between us and the stage, the five of us strode right up to the front row and waited for the music to start.

Stephen King headed the line-up, and he did a fantastic version of “Teen Angel” while a hairy-chested man in a bloody prom dress chased him around the stage with a knife. Later he tossed ear plugs out at the crowd. Amy Tan came out in a black leather outfit and commissar’s cap, stiletto heels, and a whip, and blasted out a great cover of “These Boots Are Made for Walking.”

During the show, a pushy lady shoved her way through the crowd to stand next to me and shout at King, “Stevie! Stevie! Jimmy wants to say hi!” I turn and see that she has Jimmy Johnson on her arm, looking a bit embarrassed and waving up at the stage. He’d just coached the Cowboys to two consecutive Super Bowl victories and then left the team. Three years later, Johnson took over for Don Shula as the coach of the Miami Dolphins.

I guess he had a great time in Miami too.

Jan 192006
 

Before J.M. Barrie, the author of Peter Pan, died, he assigned the rights to his most famous creation to the Great Ormond Street Hospital. As a children’s hospital in London, the place happily accepted the gift, and the British government made a special exception to the copyright term for the book, extending it forever. How other countries and publishers choose to respect this exception gets a bit strange. The book fell out of copyright in the US for a few years and now is supposedly back in, but it’s hard to tell who to believe without an army of intellectual property lawyers at your side.

In 2004, Hyperion Books, a division of Disney, published Peter and the Starcatchers, a prequel to Peter Pan, by Dave Barry and Ridley Pearson. As a longtime Pan fan (see my free Neverland game for proof), I couldn’t resist picking it up. It’s great fun so far, although I’m not quite finished with it yet.

When the hospital learned of the book—for which it would see no royalties for sale in the US—the officials there weren’t too happy. They started a search for an author to write an officially sanctioned sequel to Peter Pan, and they chose Geraldine McCaughrean. They’re going to announce the title tomorrow.

While Disney and the hospital may be at odds here, it’s a great time to be a fan of Pan.

Jan 172006
 
Battle Dice

The next time you’re in a mass-market store (Wal-Mart, Target, Toys-R-Us, Etc.), I’d appreciate it if you could look to see if they have copies of Marvel Heroes Battle Dice in stock. You won’t find it stocked with the other games though. Look in the Boys’ Action aisle instead, right next to the action figures.

If you manage a sighting, please report in here (or by e-mail) and let me know. Thanks!

I’m told that the Marvel Heroes Battle Dice TV commercials will air from January 30 through February 13. The last version I saw looked great. From the early storyboards Playmates showed me, I feared the worst, but the ad team really came through with a cool, fun piece.

Jan 172006
 
Battle Dice

Over on his Captain Toy website, Michael Crawford reviews Marvel Heroes Battle Dice. While it’s not a glowing review, Michael does a good job of stating his biases about the game right up front, and he admits to not having played much more than the basic game yet, so I can’t complain. It’s worth checking out, even if just for the wonderful photos of the game.

Jan 172006
 

On the forum at the new Essential-Eberron.com, where we’re now discussing The Road to Death, a reader with the handle Effect asks:

The characters in the Lost Mark trilogy, do you have any control over them being used by other authors or do they simply belong to WoTC now?

Not one bit. My novels for Wizards are work-for-hire. That means they own every word of them.

On a similar note, would you be against other authors using the characters either as apart of their stories or basiclly continuing their adventures (those that live at the end of the trilogy)?

Reason I’m asking is that I’m not sure if authors have a special pull toward characters they create and would rather they not be changed from how they visioned them or if they’d honestly be happy to see others use them. Cause if you move on to other things I’d love to see these characters again in either a story by you or someone else.

I’d prefer to be the only writer who tackles these characters, but I have no power over that. As Paul Crilley says, it can be bad form to propose something that uses someone else’s characters, but that doesn’t mean it can’t be done. Wizards could also ask another author to write a story using these characters, and they’d be well within their rights to do so.

In my other series for Wizards, The Knights of the Silver Dragon, I created the characters and the setting, but I only wrote the first novel. Other authors took up the exact same characters and ran with them from there. I’m coming back to write books #13 and #14 (and a couple more after that), but in the meantime other writers play in the sandbox I built.

I built that sandbox for Wizards, though, and they own it. They can do whatever they like with it. I knew that going into the deal, and I’m comfortable with it.

It can be strange to read someone else’s take on characters I created. Sometimes I’ll think, “I wouldn’t have done it that way.” But that doesn’t detract from their work. It’s just different. It can even illuminate aspects of the characters that I might not have considered, making for a richer experience.

The Knights line has an excellent editor (Nina Hess) who keeps all us authors on the same path too. That helps ensure the characters and stories run true throughout the series.

Mark Sehestedt is a fantastic editor too, and I don’t think he’d steer people toward using characters from The Lost Mark trilogy without good reason. In any case, most writers would rather take the opportunity to create their own characters and stories and chart their own courses, rather than skipping along in my wake.

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