Forbeck.com

I talk to lots of people in the adventure game industry. We chat about all sorts of things, but the conversation often turns to questions like, “How’s it going?” In this case, “it” usually means “sales.” The answer I hear most lately is, “Not so good.”

This is particularly true of d20 publishers, which most major RPG companies (with a few notable exceptions) are these days. The question then becomes, “Why?”

There are lots of theories. Some people figure this is the long-predicted shakedown from the “glut” of d20 product on the market. The market only needs so many different books on elves, the notion goes. Eventually, people stop buying them.

While that could be it, I think there’s a simpler (numeric, even) answer to why sales seemed to fall off the edge of a cliff this summer: 3.5.
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Work is going well this week. I just turned in a revision of my outline for the first novel in my Eberron trilogy for Wizards of the Coast. The first draft is due in early May, so I’m eager to get rolling on it soon. I wrote the first chapter when I pitched the books, and it was a blast. This is a setting that’s going to turn heads.

For my day job at Human Head Studios, I’m plugging away at Dracula’s Revenge and our other upcoming games. I’m also working on revamping my division’s websites. In a sense, my work on Forbeck.com has been a dry run for that, so hopefully it will all go smoothly.

I had a great time on Mortality Radio last night. Many thanks to Adlon and Smaug for inviting me on, and even more thanks to those kind souls who showed up to listed and pepper me with questions. That’s a wonderful group of people there, doing something positive for the adventure gaming industry.

My favorite part of the show was when they commented on the length of my résumé by calling me “the Jimmy Stewart of gaming.” As a long-time Stewart fan, that’s a kind comparison. Fortunately, I wasn’t moved to haul out my Stewart impression: “Atta boy, Clarence!”

If you missed the show, you can either download it or stream it out of the Mortality Radio archives. Click here for the link to Show #49.

I’ll be on Mortality Radio this Friday, January 23. The show starts at 8 PM EST, and I should be on sometime around 9 PM. If you have the time, stop by and join in. The show takes questions both on the air and via IRC (Internet Relay Chat). If you can’t make it, visit the site the following week. They usually have an archive of the show posted within a few days of it airing. Hope to see/hear you there!

1747 Keep it up! Try Viagra once and youll see. http://viagra.levitra-i.com
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Yesterday, I finally managed to finish off the script for the second of the two-part comic book miniseries for Dracula’s Revenge. It’s now in the hands of my editor and old friend Jeff Mariotte over at IDW Publishing. I’ve seen a few of the pages from the artist, Szymon Kudranski, and they’re great.

Although it was great fun to work on it, it’s a relief to be done with it. My Eberron novels are calling. It’s funny how 100,000 words doesn’t seem like all that much when you have seven months to go, but their size grows by the day as the deadline gets nearer. My first draft isn’t due until early May, but I need to revise my outline right now to bring it into line with the way the game world has developed since Wizards first sent me the early material.

Writing a comic book isn’t like anything else. With a novel, a short story, a screenplay, and so on, you have a rough structure you work within, but you can roam around a little bit. A comic book has a tight framework that you can’t deviate from too much. Each issue has 22 pages of story, and each page can only have so many panels on it. If you want the story to flow properly, you have to map it out page by page before you script your first panel. It’s like working a puzzle as you write.

For someone like me who had two years of engineering courses in college, using both sides of your brain like this is a lot of fun. Your creative side works the story while your scientific side wrestles with the structure. With any luck, it comes out as a seamless whole.

You’ll find out in March, when the first issue goes on sale.

At my day job at Human Head Studios, we just launched a new website for Dracula’s Revenge, a boardgame of tactical combat that pits Dracula and his minions against Van Helsing and his friends in the catacombs beneath the streets of Victorian London. I designed this game for Grenadier Models back in the early ’90s, but they folded before they could publish it. When I hired on with Human Head, I dusted it off and presented it as a possible game, and the team loved it. With luck, it should be out in May or June.

My friends at IDW Publishing have licensed the setting for a two-issue comic-book miniseries I’m writing. I should have more about that on the official Dracula’s Revenge site soon.

Once upon a time, I got a call from John Nee at WildStorm Productions. They wanted to produce a collectible card game, but they knew nothing about how to pull it off. Jim Lee and Drew Bittner had gotten together and designed a first draft, but they wanted a professional’s opinion about it.

John got my name from Martin Stever, an old college buddy of mine. John asked me if I’d be willing to fly out to La Jolla, California, for a week to hammer at the game. We worked out the details, and I was gone.

The game was rough, pretty much what you’d expect from people who’d never designed a game before, but it showed promise. Drew and I smacked the thing into shape over the course of that week and lots of later e-mails and phone calls. Eventually it became the WildStorms CCG
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I went back to freelancing right after I left Pinnacle at the end of 1999. I worked for a lot of different companies, including the fine people at Atlas Games. I wrote a section of En Route for them, as well as the whole of Seven Cities. Michelle Nephew did a bang-up job editing both books, pushing me to make my work better and better.

While I was working on Seven Cities, Michelle contacted me about a freelancer she was working with on another project. He was a game designer at VR1, a computer game company in Boulder, Colorado. He’d been there a long while without ever seeing anything get published, a frustrating situation for any creative soul. He was thinking about making the jump to full-time freelancing in the adventure game industry. Would I be willing to answer some questions, give him some pointers?

Sure. Why not? Michelle says this guy has talent, I believe her.

His name was Keith Baker.
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I just turned in the cover order for the first in my trilogy of novels for the Eberron setting due out for Dungeons & Dragons from Wizards of the Coast this August. The first book in my series won’t hit stores until early 2005, a month after the first novel in Keith Baker’s trilogy, but it was a kick describing in detail how each of the characters looks and acts. I don’t know who the cover artist will be yet, but I have high hopes.

If you stopped by this morning, you might have seen that Forbeck.com wasn’t here. My domain registrar failed to renew my domain name on time, despite the fact I paid the fee weeks ago. Still, they made things right and got it ironed out within hours of me noticing it, so we’re back up and running again. Whew!

Last week, T.S. Luikart (I assume—he’s the only T.S. I know outside of the long-dead poet Eliot) rightfully pointed out that you should examine your potential output before you decide to make the leap to full-time freelancing, if that’s what you’re after. I dug around in my files a bit and found the old article I’d written on just that for my “Gameslinger” column at (the now-dead) www.GamesUnplugged.com. Rather than put it up as another PDF, I’m posting it here.
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The fine folks at Mortality Radio asked me to appear on an upcoming show, and I was too stunned to try to weasel out of it. I’m scheduled to be on the January 23 show, which starts at 8 PM EST. More details as I have them.

One of the perks of working in a creative field is having friends that do the same. Every now and then, one of them does something fun for you because of it.
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